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Ashwell Wood had a distinct illustrative style that featured in many books and magazines, notably working as Eagle's longest running artist. |
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Bateman was an artist who, in his own words, ‘went mad on paper'. Having studied drawing and painting at Westminster School of Art and Goldsmiths' College, London, he approached drawing people not as they looked but as they felt - then an unusual concept. |
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From the age of 13 Blake attended the Camberwell School of Arts and Craft in London, but at the age of 15 he went into the building trade as an architectural draftsman. |
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An illustrator of many children's books |
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Cooper, born in Canada, trained and practised in Britain. He studied at the Cardiff School of Art from the age of thirteen, before winning a scholarship to the Allan-Frazer Art College, Arbroath from 1906 until 1910 |
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Cowes most famous work during the Second World War was the Ministry of Health Evacuation Scheme poster ‘Leave this to us sonny - you ought to be out of London'. |
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Cuneo began his artistic career as an illustrator, but it was his work as war artist which brought him national recognition. During the Second World War whilst serving briefly with the Royal Engineers, Cuneo was the artist for the Illustrated London News in France. |
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During the Second World War, Davies' realistic genre of comic design and early automotive interests were used at the Ministry of Information as demonstrated in INF 3/1586 from The National Archives' collection. |
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Thomas Derrick was a British painter and illustrator of a wide range of books. Born in Bristol, his artistic career also included mural, stained glass and portraiture. |
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Dugdale was a book illustrator, illustrating books such as Cinderella. |
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Edwin Embleton is most widely recognised for his work as Studio Manager at Odhams Press and, during World War II, in the Publications Division of the Ministry of Information (MOI). |
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(Frederick) Rowland Emett was a cartoonist and inventor who designed machines for the 1968 film Chitty Chitty Bang Bang. |
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Eileen Evans joined the Photographic Division of the Ministry of Information, as a filing clerk, but by 1940 her skills as an artist were noticed and she was transferred to the studio, working under Reginald Mount. |
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Forster was responsible for pre-war ‘Black Magic' chocolate illustrations, and the famous wartime poster ‘Keep Mum, She's Not So Dumb'. |
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Fougasse was best known for his wartime public information posters, such as ‘Careless Talk Costs Lives', however it was during the First World War that his career as a cartoonist took off. |
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Games was largely self-taught as a designer, leaving St Martin's School of Art after just two terms in 1930. Yet in 1930s Britain, he still managed to slowly establish himself as a freelance poster designer. |
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(Leslie) James Gardner established his reputation as a designer after the Second World War, during which he was the Chief Deception Officer at the Camouflage Training School. |
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Tom Gentleman studied at Glasgow School of Art and was a member of the Society of Industrial Artists. |
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Giles was a self-taught animation artist, who worked his way up from office boy in a film company to become, in April 2000, 'Britain's Favourite Cartoonist of the 20th Century'. |
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Hilder has been described as ‘the Turner of his generation' following his renowned landscape paintings of the Kent countryside, where he spent most of his life. |
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Illingworth was one of the best-known and respected political cartoonists of the 20th Century, and one of a handful of Welsh cartoonists to have gained international acclaim. |
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The artist and illustrator Ionicus, whose real name was Joshua Armitage, was a Punch “regular” contributing cartoons and drawings for more than 40 years, but he was best known for his work illustrating the comic world of P. G. Wodehouse. |
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Patrick Cokayne Keely was a designer of posters, press advertisements and trade matter, producing work for London Transport, Southern Railway and the Post Office before the Second World War. |
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Born in Egypt, Kem was a political cartoonist and illustrator, who produced over 3,000 propaganda images for the Ministry of Information. |
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Before the Second World War, Laura Knight (née Johnson) was an established artist with a distinguished career, having graduated from Nottingham School of Art (where she met her future husband, the celebrated portrait painter Harold Knight (1874-1961)). |
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Having met in a Warsaw café in 1933, two Polish-born artists Jan Le Witt (1907-1991) and George Him (1900-1981), built upon a friendship to become the highly successful collaborative design partnership Lewitt-Him. |
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